Candles are distributed to the audience and lit after sunset around the arena.Įvery year over 500,000 people see productions of the popular operas in this arena. Once capable of housing 20,000 patrons per performance (now limited to 15,000 because of safety reasons), the arena has featured many of world's most notable opera singers. Modern-day travellers are advised that admission tickets to sit on the arena's stone steps are much cheaper to buy than tickets giving access to the padded chairs available on lower levels. During the winter months, the local opera and ballet companies perform at the L'Accademia Filarmonica. Nowadays, at least four productions (sometimes up to six) are mounted each year between June and August. Since then, summer seasons of opera have been mounted continually at the arena, except in 1915––45, when Europe was convulsed in war. Musical luminaries such as Puccini and Mascagni were in attendance. The first 20th-century operatic production at the arena, a staging of Giuseppe Verdi's Aida, took place on 10 August of that year, to mark the birth of Verdi 100 years before in 1813. Some operatic performances were later mounted in the building during the 1850s, owing to its outstanding acoustics.Īnd in 1913, operatic performances in the arena commenced in earnest due to the zeal and initiative of the Italian operatenor Giovanni Zenatello and the impresario Ottone Rovato. The first interventions to recover the arena's function as a theatre began during the Renaissance. Ciriaco d'Ancona was filled with admiration for the way it had been built and Giovanni Antonio Panteo's civic panegyric De laudibus veronae, 1483, remarked that it struck the viewer as a construction that was more than human. Nevertheless it impressed medieval visitors to the city, one of whom considered it to have been a labyrinth, without ingress or egress. The round façade of the building was originally composed of white and pink limestone from Valpolicella, but after a major earthquake in 1117, which almost completely destroyed the structure's outer ring, except for the so-called "ala", the stone was quarried for re-use in other buildings. The amphitheatre could host more than 30,000 spectators in ancient times. The ludi (shows and games) staged there were so famous that spectators came from many other places, often far away, to witness them. The building itself was built in AD 30 on a site which was then beyond the city walls. It is one of the best preserved ancient structures of its kind.
It is still in use today and is internationally famous for the large-scale opera performances given there. The Verona Arena (Arena di Verona) is a Roman amphitheatre in Piazza Bra in Verona, Italy built in 30 AD.
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